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VAN COKE BO DIE GROND ROEP NA KOOS ONDER DIE GROND…

Source: Andries Bezuidenhout (versindaba)

van coke kartel - skop, skiet & donner cd cover

Die een ding wat my steeds van Koos du Plessis verstom, is hoe hy musikale grense in Afrikaanse musiek oorbrug. Dink maar aan sy lied “Gebed,” wat keer op keer deur gospelsangers gesing word. Die mees oortuigende weergawe daarvan, dink ek, is egter Dozi s’n. Sy stem dra iets van die ware kwaliteit van die lied oor: ʼn Desperate kreet om hulp van ʼn alkoholis wat ”elke afdraaipaadjie” kén – “elke keer het U my iewers kom haal, maak dit, Heer, die laaste maal.” Maar hy wéét dis nie die laaste maal nie.

Maar dis nie net skoolkore en gospelsangers wat deur Koos du Plessis betower word nie. Een van my gunsteling interpretasies van ʼn Koos Doep is Battery 9 se weergawe van “Kouevuur”. Paul Riekert gooi die wysie weg en werk net met die ritme van die liriek, een wat jy kan spoeg en grom. Absoluut asemrowend. Luister hier, sommer ook na “Lie if you have to”.

Dan het Johannes Kerkorrel ʼn hele CD met Koos du Plessis covers opgeneem. Hy het dit weer op sy manier geïnterpreteer, iets waaroor ek baie dankbaar is, aangesien Kerkorrel een van die groot geeste van een van die ander rewolusies in Afrikaanse musiek was. Ek is bly hy het op so ʼn manier hulde gebring aan ʼn voorganger.

Dan is daar natuurlik Gert Vlok Nel se pragtige afskeid aan Koos du Plessis – “Waarom ek roep na jou vanaand”… “Gert bo die grond roep na Koos onder die grond, kom in Koos, kom in, kom in…”

En nou voeg Francois van Coke ʼn nuwe generasie se stem by die res van die left field koor wat Koos du Plessis se songs laat aanhou sing. Nóg een van die voorlopers van ʼn nuwe rewolusie in Afrikaanse musiek. ʼn Nuwe interpretasie van “Skadu’s teen die muur” is te vinde op Van Coke Kartel se pas uitgereikte CD Skop, skiet en donner. Van Coke Kartel is die meer ongeskikte off shoot van Fokofpolisiekar, maar met hierdie album doen hulle amper wat die Fokofs met Monoloog in stereogedoen het. Hulle gebruik akoestiese kitare en minder aggressiewe klanke. In sommige gevalle gebruik hulle geprogrammeerde perkussie en ander klanke. Ek dink ek hou daarvan.

Benewens “Skadu’s teen die muur” is daar twee ander covers – vreemde keuses – “Maniac”, wat in die 80s in fliek Flashdance te hore was, en JJ Cale se “Cocaine” uit die 70s. Ek weet nie heeltemal hoe diep Van Coke Kartel se tonge in hulle kieste met hierdie keuses sit nie, of selfs in wie se kieste hulle hul tonge ingedruk het nie. Maar van een ding is ek seker. Ek hou baie van hulle weergawe van “Skadu’s teen die muur”. Hulle maak ʼn anthem van ʼn bitter siniese liriek.


Battery 9 2009 Tour dates Announced

Source: Underground Press ( Battery 9 2009 Tour dates Announced 21 September 2009)

TOUR DATES ANNOUNCED FOR BATTERY 9 TOUR 2009

Battery 9

26 September ‘09
PTA – VAMP Full Moon Lounge
B9
Plasticoma
Hexotericka

29th October ‘09
JHB – Pienk Kerk
B9 Unplugged
Bittervrug – Unplugged

4th November ‘09
Centurion – Steak and Ale
B9 Unplugged
Drikus and Gerhard Unplugged

7th November ‘09
Bloem – Aasvoel Klub
B9 Unplugged

31st October ‘09
PTA – Kasteel
B9
TBC
NuL
Ankst

Battery 9


Top 11 for 2008

Source: Fred De Vries ( Fred De Vries – 03 Jan 2009)

Is it still really worth it to make end of year lists of favorite albums? Given the confusing state of the music industry one would be tempted to say no. The industry is in a mess. The CD-format is rapidly becoming obsolete, while downloads and sharity blogs flourish. Moreover, despite an overdose of good music, there wasn’t a single album that really stood out; 2008 didn’t bring us a new Closer or Entertainment! or Village Green or Damaged. Despite what the music critics try to make us believe (forget about the retro stuff of Fleet Foxes and the whine of Bon Iver) there were no classics.

Therefore this year a Top 11 that doesn’t just include albums, but also single tracks, ex aequo’s, books and blogs. And some are certainly not from 2008, but are somehow linked to the year, with ample space for women and psychedelica.

Here it is – in no particular order – my top 11 for 2008 – for what it’s worth…

  1. Shannon McArdle – Summer Of The whore (Bar None Records). Great title, great break-up album. Shannon McArdle was one of the singers and songwriters of the indie band Mendoza Line, who split after making the excellent, depressing 30 Year Low. At the same time her relationship with Mendoza’s other songwriter Timothy Bracey broke down. Summer Of The Whore recounts that painful break-up. Musically it’s a more laid-back affair than the Mendoza’s, while the lyrics verge between angry, bitter, sad and relief. Fave tracks: That Night In June and He Was Gone.
  2. Pink Floyd – Echoes (from the album Meddle (Harvest)). I’ve never been a huge fan of post Syd Barrett Pink Floyd, and from Animals onwards I found them increasing dull. But some of the work has certainly stood the test of time. And when I heard that keyboard player Richard Wright had died this year I played Meddle again. Wright was responsible for much of the beautifully melancholic Echoes, which covers most of side B. And what a great, simple signature he left behind with that “ping” right at the start.
  3. Cat Power – Jukebox (Matador). The Guardian predicted that 2009 will be the year of female musicians and the end of indie boy bands. They added that there is especially a future for electronic female pop. Maybe that’s something Chan Marshall aka Cat Power now also should try her hands at. After all she has worked with Faithless and El-P. Her latest album Jukebox was a kind of sophisticated extension of The Covers Album from 2000. Once more she managed to make other people’s songs her own, but Jukebox lacked something as unexpected as the Stones cover (I Can’t Get No) Satisfaction or something as exquisite as the Moby Grape tribute Naked If I Want To. Lovely album nonetheless. Fave track: New York, New York.
  4. Michael Bracewell – Re-Make/Re-Model; Art, Pop, Fashion and the Making of Roxy Music, 1953-1972 (faber and faber, ISBN 978-0-571-22985-7). This is the story behind one of the greatest debut albums of all time. It describes in great detail the context and environment that led to the formation of Roxy Music and the recording of that sublime eponymous LP. Some critics found Bracewell’s style and unusual eye for detail (read his description of The Marcus Price shop, Newcastle’s only trendy clothing store in the early 60s) too much. I loved it, and took out that 1972 Roxy Music album to play it again and again and again. Fave track: If There Is Something.
  5. Sticky Antlers – Sticky Antlers (KRNGY). Although the new Jim Neversink album still hasn’t been officially released, South Africa had plenty of interesting releases this year, especially by Afrikaans musicians such as Battery 9 and Bittervrug. But biggest kudos to the Sticky Antlers, who are part of a Pretoria collective. They started out as an improv band and crystallized into a proper fearsome lo fi noise-band that draws from outsider art, comix, underground films, Sonic Youth, PJ Harvey and The Boredoms. They’ve released numerous home-made CD-Rs on their independent KRNGY-label. Their first full length album comes with an exquisite hand made cover. The sound is distorted and haunting, occasionally verging on the hysterical. Read more about them on www.myspace.com/stickyantlers Fave track: Company
  6. Ex aequo: Drive-By Truckers – Brighter Than Creation’s Dark and The Dexateens – Lost And Found. Southern rock continued its survival long after the heady days of Lynyrd Skynyrd and The Allman Brothers, thanks to efforts by the Drive-By Truckers and the Dexateens. Brighter Than Creation’s Dark is easily the best Drive-By’s album since they started in 1996. In vinyl terms it would have been a double album. Nineteen compassionate tales of losers and no hopers captured the spirit of 2008 more than anything else. Fave track: Two Daughters And A Beautiful Wife. The Dexateens started out as a bunch of southern punks, but have developed over the years into a semi-acoustic alt.country outfit that makes great use of dual vocal harmonies. Their Lost And Found can be downloaded for free (or whatever you want to pay) from www.skybucket.com/media/dexateens/. Fave track: Altar Blues.
  7. Paul Westerberg – 49:00. Now this is a real odd one. The former Replacement released this as one mp3, which was to be downloaded from Amazon, and would cost a mere $ 0,49. Which was great value for 43:55 minutes of music. Amazon, however, soon removed the mp3 from its list of downloadables, allegedly because of copyright issues (there is a weird bit at the end where Westerberg does a medley of old songs). So by the time I heard about this album I had to track it down on blogs. Eventually I found it, downloaded it and when I played it I thought something had gone wrong during the downloading. The first couple of songs sound ok, but then you get snatches of compositions and you hear different songs playing simultaneously. Some tracks break off in what seems to be the middle, and others start way past their intro. From various reviews I learned that it was all intentional. All in all a great, messy, ADHD piece of music. And there’s more self-released Westerberg stuff on the net, like the missing minutes of 49:00 on a track called 5:05 and Bored Of Edukation. Go and find it…
  8. Hari Kunzru – My Revolutions (Penguin paperback, ISBN 9780141020204). This book was inspired by the Angry Brigade, London’s late 60s answer to the Rote Armee Faktion. The book traces the life of a 50-year old radical turned terrorist turned junkie turned incognito bourgeois husband. An exciting, entertaining novel that should be read while playing Pink Fairies and Hawkwind, and that somehow reminded me a lot of the founder of anarcho punk band Crass, Penny Rimbaud.
  9. We Have No Zen. I stumbled upon this blogspot after reading a piece in The Wire about an ultra obscure psychedelic noise Japanese band called Les Rallizes Dénudés. They were especially active in the late 60s and 70s, and apparently there were links with the people who hijacked Japan Airlines Flight 351 in 1970, orchestrated by the Red Army. Which is quite beyond the realm of normal rock and roll. Anyway, We Have No Zen not only had lots of Les Rallizes Dénudés music, but also tons of other equally extremely obscure music, all there to download for free (and some to buy). A superb blogspot!
  10. Ex aequo Various artists – Summer And Smiles From Finland (Fonal Records) and Sprengjuhöllin – Sprengjuhöllin. I know, I know, Summer and Smiles From Finland is from 2005, but I only discovered it this year. With the dreary muzak of Coldplay and the trusted sounds of Oasis, Metallica and AC/DC topping the charts, one has to look beyond the English speaking world for interesting music. So after reading a small article about Finnish band Paavoharju and the Fonal label I searched for them on eMusic and found an introduction to Finnish music, a compilation called Summer and Smiles From Finland. I duly downloaded it and have enjoyed tremendously ever since. It’s weird and wicked, freaky music, uncategorizable. Fave track: Risto – Nina olen, palasina. And there’s so much more out there up north. Check out the Icelandic mods of Sprengjuhöllin, whose self-titled album almost makes up for the disappointing new Okkervil River album and the lack of Kinks/Ray Davies material this year. Fave track: Worry ’til Spring.
  11. Finally a big chapeau for The Pavement Special, a live music/magazine/CD initiative which was started in 2007 by South African journalist Lloyd Gedye and designer Michael MacGarry. The third issue of TPS was launched in December, and the accompanying CD with tracks by tracks by Sticky Antlers, Blk Jks, Buckfever Underground, Cutout Collective, kidofdoom, Jacob Israel, Gazelle and Tale of the Son, gives a prefect overview what’s happening left of dial.

PS Oh, and I completely forgot to say what a great album Japanese band Boris made with Smile (Southern Lord), a perfect mix of noise, melody and drone, a kind of Blue Cheer for the new century. And also forgot to mention how much I enjoyed the Dylan movie I’m Not There and the Joy Division documentary and the Ian Curtis film Control. So that would make it a Top 13 or a Top 14 even…


Kopskoot! The Heaviest Afrikaans Album, Ever!

Source: Paul Blom (Muse)

Kopskoot!

Kopskoot!

While seeming inconsequential, Afrikaans speaking musicians have played a huge role in this country’s Alternative music scene.

Worldwide bands naturally opt for English lyrics often with the veiled hope that success will reach beyond their borders. Slowly but surely that perception has shifted here, as more bands are using their highly expressive mother tongue.

Afrikaans music has been stigmatized as cheap, sappy and tacky drivel, yet behind the commercial curtain, industrious bands with a sense of purpose and an aversion to dumbed-down mainstream non-sensibilities create music the wider public would not necessarily get to hear – unless they’re adventurous enough to go find these gems.

Those drawn to this ground-breaking phenomenon known as Kopskoot! (translation: Headshot!) will be in for more than a treat. This historic compilation album of heavy Afrikaans music includes living legends, new blood, SAMA winners & nominees across the Alternative spectrum of Hard Rock, Metal, & Hardcore, to Industrial, Grindcore, Electronic adventures & more.

This explosive 16 ton package includes everything from the first truly extreme Afrikaans song recorded by S.A. Metal godfathers Voice Of Destruction (V.O.D) in the mid-’90s, to the organic-digital fusion of new extremists André Van Der Walt. Another band which sent Afrikaans music into a whole new direction is K.O.B.U.S., with its core V.O.D & Springbok Nude Girls members. Expect the Fokofpolisiekar side-project Van Coke Kartel, Metal from Mind Assault, Insek’s Grindcore, NuL’s electronic revolution music, and F8’s Electro-Grind.
Not to forget Industrial stalwarts Battery 9 with their trademark flavour. This collection is also an inadvertent reunion of sorts for the original members of this legendary act – head cahuna Paul’s Breinskade rips it up while At’s Somerfaan
offers up an exclusive remix. Huyser and Arnaud’s Helsinki project also makes its global debut here on CD.
Other rarities include American Hardcore-Thrashers CFD, with a track especially recorded in Afrikaans, and a song in Flemish by Lion’s Pride from Belgium.
Amid the testosterone, the female-fronted Terminatryx adds some beauty with an extreme edge.

This is not where it ends though, as Kopskoot! will become a regular fixture bringing you alternative classics and the new breed of extreme Afrikaans music. But on top of that, each release will be followed by a DVD with loads of killer videos, live footage and extras (the first making its appearance early 2009).

Prepare to get your head blown off!

[For more info on this December release, and an Afrikaans version of this piece, go to: http://www.flamedrop.com/kopskoot ]


Ramfest ‘08 DVD launch ‘n sukses

Source: Johan Swarts (Johan Swarts se bl0g, 2008.10.27)

Ramfest 2008 se DVD launch by die Klein Libertas-teater [op Vrydag 24 Oktober - red.] was ‘n rasende sukses (met die klem op raas). Battery 9 het op dieselfde aand hul nuutste album, Galbraak, bekendgestel met ‘n goeie dosis industriële rock en aKing het die gehoor betower met nommers van hul eerste album, Dutch Courage. Beide groepe is op die DVD te siene. ‘n Sterk wind het nie gekeer dat talle aanhangers vir die geleentheid opdaag nie – en raas is daar geraas.

Wat Battery 9 aanbetref – ‘n vertoning met fut. Te min Suid-Afrikaners ken Paul Riekert se industriële spitsvondighede. Hulle behoort myns insiens tot dieselfde klas as Kobus!: al hoor ‘n mens dit nie altyd nie, is hul lirieke van die skerpstes op die Afrikaanse musiektoneel. Riekert is nie bang om ‘n ding op die naam te noem nie, maar hy het terselftertyd genoeg liriese vernuf om op alles behalwe ‘n hoop vloekwoorde staat te maak vir trefkrag. Luister gerus na “Die vraglied” (’n parodie van “Die vlaglied van Suid-Afrika”) op die nuwe album.

aKing was self nie sleg nie. Laudo Liebenberg (voorman en kitaarspeler) en kie het liedjies van hul eerste album, Dutch Courage, gespeel. Liebenberg en Hunter Kennedy is ‘n gedugte skrywerspaar en Liebenberg weet hoe om ‘n solo uit te karring. Aanhangers was in hul noppies toe aKing hul tweede musiekvideo aangekondig het.

aKing op ‘n afstand

aKing op ‘n afstand

Voor die geraas is ‘n voorskou van die DVD vertoon. Boernoir produksies het hulself oortref met ‘n professionele produk. Die produksiewaarde van die twee DVD’s, wat onder andere walkaround footage (kan jy “fpersing” sê?) en die gekose liedjies van elke groep bevat, spreek van bevoegde filmvervaardigers wat weet hoe om te selekteer en te kombineer. ‘n Mens besef die omvang van wat hulle gedoen het eers wanneer jy ontdek dat deur hulle rofweg 15 960 minute se beeldmateriaal moes sif (dis omtrent 725 episodes van jou gunsteling televisiereeks) en die oorblywendes tot ‘n koherente produk van 4 uur moes smee.

Veral heuglik is Lark se heel laaste vertoning ooit, die Suid-Afrikaanse Air Guitar kampioenskappe (wat gewen is deur Heine “Lord Volmer” van der Walt) en Kobus! se opvoering van “Hoenderman”. Elke band se instrumente is apart opgeneem via ‘n multitrack recorder en na die tyd gemaster om so goed as moontlik te klink saam met vyftien kameras se beeldmateriaal. Die resultaat is iets waarmee weinig ander plaaslike musiekfeeste kan spog.

Die uwe was bevoorreg genoeg om self agter die kamera in te klim:

Raai wie byt sy onderlip wanneer hy konsentreer?

Raai wie byt sy onderlip wanneer hy konsentreer?

As vanjaar se fees enigsins ‘n aanduiding is van Ramfest 2009, behoort daar volgende jaar dalk selfs ‘n beter produk te verskyn. Indien Boernoir weer gekontrakteer word om dit te verflim (ek sou hulle huur) kry hulle hopelik ‘n paar dollies en cranes vir Ramfest ‘09. Dan gaan die pixels eers spat.

Koop die DVD. Jy gaan enersyds ‘n opkomende, talentvolle produksiehuis ondersteun en andersyds ‘n bydrae maak tot iets moois wat besig is om te groei in die Suid-Afrikaanse musiektoneel. Blameer dit op die hoenderman.

Lees gerus Danie Marais se resensie oor Galbraak.


Industrial in Studentville

Source: Jess Henson (Levi’s Original Music Magazine, 2008.10.27)

To my mind, Ramfest is the alternative to alternative music fests in SA. And now they have their own DVD of Ramfest 2008 to prove it. Friday night’s combination of live acts and diverse fans at Klein Libertas Teater would agree with me.

Battery 9 are stalwarts. Their spirited, strings, snare, cylinders-and-spark-plugs sound has lasted years in a topsy-turvey industry, and their artistic growth has garnered the respect of music loving veterans and virgins alike. This night hosted the kick-off their album launch tour, “Galbraak” — a term people who’ve drunk too much free Chattabox understand…

aKING are unsung heroes. They’re teaching music lovers to chant poetry, seducing scenesters across the country with a smile and filling hearts with an altogether almost alien state of conscious celebration. Theirs is holy work in a land of hopes and tears.

Put the two together in Stellies, and you’ve got trouble…

Klein Libertas was a clutch of subcultures that clicked in the spring winds. The fascinating collection of crazies included long, tall, dark-haired dudes with stickyout silver things on their faces that made me think of Horrorfest; warm ones with big hair and fat smiles that made me think of Avontoer 2008, incey-wincey bokkies in their party best, all cleavage and stiletto and spikey smiles that made me think of Miss SA, and the T shirt-and-trousers brigade making up the majority that made me think, sjoe, but some bands really are ambassadors of sound in SA. This majority, by the way, also buy CDs and DVDs and beers and tickets to festivals, and the music industry respects them. So much, in fact, that the aching boys are hosting an exclusive designer t-shirt exhibition on Tuesday.

Battery 9 don’t fork around. They knife through sound like it’s Saturday night at the Shack and uNathi is chef — chop, chop, sizzle, slice, sigh. Clean, powerful, industrial mixes seasoned with compulsive vocals, and a side order of live art. Enough to renew your liver. Or your spirit. Hard, hopeful, and nothing short of gourmet.

For dessert we had Hunter and Hennie and Laudo and Jaco. These lovely boys have finally put the cherry on the top and now we can have our cake and stick it in our eyes as well as our ears. It’s taken them some time, and I’ve waited patiently and said nothing about a certain lack of s-s-ssomething on stage. And I won’t ever either, because they’ve passed that stage, and if you want a hard-happy sing-along that looks as good as it feels, get your dose of aching live. They are the crème de la crème of commercial rock. Amen.

We finish with an afterthought. If you drop your drawers whilst standing on a chair inside Klein Libertas, and pull the big boy out for other drunkards to admire, spare a thought for the odd innocent journalist walking by less than two meters from your manhood. Or thank your lucky stars she didn’t have a camera at the ready…


Battery9 se ‘Galbraak’ soos ruimtereis na son

Danie Marais (Die Burger, 2008.10.23)

Paul Riekert is die donker man van Battery 9 wat geraas met groter geraas bestry. Danie Marais het ‘n paar vrae aan hom gestel.

Verlede jaar was Battery 9 se “Die hamster is dood” een van die songs wat my uit die bed uit gekry het. Vanjaar is dit “Geen genade” op die nuwe album. Wat kry jou uit die vere?

“Check one” van Leftfield, of as ek vinnig moet maak, iets hard en vinnig van Ministry. Die idee van vars gemaalde, goeie koffie kry my ook uit die bed uit.

In terme van kommersiële sukses sal Battery 9 waarskynlik ‘n marginale verskynsel bly, maar Galbraak is julle sewende album. Wat motiveer jou om aan te hou beweeg en geraas te maak?

Dis op ‘n manier nie eens ‘n keuse nie, meer soos ‘n kompulsiewe drang. As ek weer kyk, dan het ek nog ‘n album gemaak.

Was jou werkswyse op dié album dieselfde as in die verlede?

Min of meer – waar dit verskil van Straks is dat ek meer klanke en instrumente buite die ateljee opgeneem het, in hul “natuurlike habitat”.

The Clash het in “London calling” gesing: “London is drowning but I have no fear, ’cause London is drowning and I live by the river.” Het jy ‘n soortgelyke instelling oor Jozi en SA?

Ja, die gevoel word nogal raak beskryf, behalwe dat dit by my ‘n effe skisofreniese gevoel ook is; dis steeds waar ek verkies om te bly. Vir nou.

Galbraak is, soos elke Battery 9-album, vol woede, frustrasie en galgehumor. Wat maak jou gelukkig?

Ek is gelukkig as ek kan skep – in watter medium ook al. Nuwe musiek ontdek. Afsondering. Die “goeie lewe” – goeie spys en drank, gemak, ‘n mooi uitsig.

As jy een reël uit ‘n Battery 9-liriek kan kies vir jou grafsteen, wat sal dit wees?

Liewer nie, dis moeilik om Battery9-lirieke te vind wat nié onvleiend is nie. As ek moet, dalk “Maak ‘n nuwe begin…” uit “Nuwe begin”.


Recharge the Battery with a sonic assault.

Source: Cape Argus

Hearken to the sonic assault rumbling from the north – Battery9, the SA godfathers of a genre best dubbed as “industrial” music.

The new album from Paul Riekert with cohorts Chesare Cassarino on guitar and visual artist and rapper Huyser Burger. “Galbraak”, the group’s seventh album, is “a bit of a misanthropic one” according to Riekert, whose cross-hairs are trained on “stupid people” who keep bothering him in the day-to-day world.

Especially thieves. Song-titles like Skiet Jouself In Die Voet and Enough Rope give you a hint at what you’re in for, but what makes the band so good is that they’re more than just an attitude with some distortion pedals: …


Geraas maak is ‘n kompulsiewe gedrag

Source: Danie Marais (Beeld, 2008.10.21)

Paul Riekert is die donker man van Battery 9 wat geraas met groter geraas bestry. Danie Marais het ‘n paar vrae aan hom gestel.

Verlede jaar was Battery 9 se “Die hamster is dood” een van die songs wat my uit die bed uit gekry het. Vanjaar is dit “Geen genade” op die nuwe album. Wat kry jou uit die vere?

“Check one” van Leftfield, of as ek vinnig moet maak, iets hard en vinnig van Ministry. Die idee van vars gemaalde, goeie koffie kry my ook uit die bed uit.

In terme van kommersiële sukses sal Battery 9 waarskynlik ‘n marginale verskynsel bly, maar Galbraak is julle sewende album. Wat motiveer jou om aan te hou beweeg en geraas te maak?

Dis op ‘n manier nie eens ‘n keuse nie, meer soos ‘n kompulsiewe drang. As ek weer kyk, dan het ek nog ‘n album gemaak.

Was jou werkswyse op dié album dieselfde as in die verlede?

Min of meer – waar dit verskil van Straks is dat ek meer klanke en instrumente buite die ateljee opgeneem het, in hul “natuurlike habitat”.

The Clash het in “London calling” gesing: “London is drowning but I have no fear, ’cause London is drowning and I live by the river.” Het jy ‘n soortgelyke instelling oor Jozi en SA?

Ja, die gevoel word nogal raak beskryf, behalwe dat dit by my ‘n effe skisofreniese gevoel ook is; dis steeds waar ek verkies om te bly. Vir nou.

Galbraak is, soos elke Battery 9-album, vol woede, frustrasie en galgehumor. Wat maak jou gelukkig?

Ek is gelukkig as ek kan skep – in watter medium ook al. Nuwe musiek ontdek. Afsondering. Die “goeie lewe” – goeie spys en drank, gemak, ‘n mooi uitsig.

As jy een reël uit ‘n Battery 9-liriek kan kies vir jou grafsteen, wat sal dit wees?

Liewer nie, dis moeilik om Battery9-lirieke te vind wat nié onvleiend is nie. As ek moet, dalk “Maak ‘n nuwe begin…” uit “Nuwe begin”.


Battery 9 Galbraak JHB cd Launch Review with an added extra

Source: Caz (Underground Press, 2008.10.23)

As if you didn’t know

Battery 9 is the brainchild of Paul Riekert, who writes the lyrics and the music, and sings, plays, records and produces most of what appears on the cd’s in his own studio – the audio arm of ONE F Music. His music own Production Company. On stage he is joined by Hyser Burger – Dj, Live action painter and MC, also known as DJ Fokolnonsens, and Cesare Cassarino – the guitar player, best known for his work as a bassist in the South African jazz and session scene.

The Launch Review

Friday, 17th October, Rock Bar; OMG acronym!!! I sincerely doubt there will be a better launch this year. We got to the Rock Bar Melville just as the band was going on. I was so excited I literally had to remind myself to breathe. My photographer, not so much, as he had never seen battery 9 live before. I had to remove the camera from him and take photographs myself as he was too over-whelmed by the bands awesomeness. A feeling shared by most of the fans. In fact, whilst taking pictures I was aggressively told to “stop taking photos!” by a mad sweaty creature in the audience because “it’s Battery 9!!! You have to dance!!” I have yet to see an international act rile up a crowd that much. I must admit, there quite a few incidents where even I could only stop and stare. Why this band is not charting internationally is beyond me. It’s almost like we hog the best for ourselves!

After the show I was told to wait backstage for the guys to come offstage. I was dripping sweat and hoarse from screaming. Hyser Burger, the live artist/industrialist/Dj of battery 9 was the first to come backstage. He flopped into a bean bag and looked at me quizzically. I stammered out “uh…interview….uh…press”. He smiled and said “maybe a bit later, we just have to catch our breath”. What a nice guy. I came back later to find Paul Riekert there alone. No interviews. I was heartbroken. These men were a defining block of my youth and now I had missed the chance to interview them. He must have my disappointment and said “how about you give us a call and we arrange an interview”

The added extra

Monday, 20th October, my office; Spent all day trying to muster the courage to call. When I eventually did, I stuttered and stammered and must have sounded like a giddy little girl but got the job done! Now if my heart rate can go back to normal……

Caroline: Hi, this Caroline from UNDERGROUND press, I got your number Saturday night.

Paul: yes Caroline, how are you?

Caroline: (stutter) um, very good, um how are you.

Paul: Good thanks, how can I help you?

Caroline: I would just like to know if I could arrange an interview with Battery 9 ?

Paul: Sure, when’s good for you?

Caroline: uh … um… whenever you’re free.

Paul: you can interview me over the phone if you like?

Caroline: Yeah that would be wicked. Thank you, are you free now?

Paul: ah yeah. Why not, go ahead.

Caroline: So how feel about the launch you had on Friday night?

Paul: Very cool. I haven’t felt like that after a launch in a long time. We got to see a lot of old friends to, there were quite a few young faces in the crowd.

Caroline: This is your seventh CD Launch. How does it make you feel that you can still work up a crowd like that?

Paul: grateful

Caroline: Industrial music has always had huge following in Europe, yet we don’t seem to have any S.A. industrial musicians making it that far. Do you think there is a possibility for bands of your genre to make it internationally?

Paul: It’s difficult. It’s difficult. You need to have proper support from somewhere to make a crack but I think there is a possibility, ya.

Caroline: do you think it may be due to lack of South African industry support in S.A. bands?

Paul: In a way

Caroline: I remember the first time I saw you was in 1995, you are as incredible now as you were then, if not more so.

Paul: (laughs) thank you

Caroline: I have always thought if ever a South African band would make it overseas, it would be battery 9. Is there any chance of battery 9 going global?

Paul: We’re currently trying to set a branch with One F music, my record label, in Europe. You can check it out if you like www.onefmusic.com

Caroline: Do you have any active online fan support groups?

Paul: The biggest one I know of is the facebook group.

Caroline: Besides renegade journalists that hide out backstage to interview you, have you ever been stalked by any crazed fans?

Paul: (laughs) Occasionally. S.A. is not that hectic.

Caroline: Any message you would like to send to your fans?

Paul: I just need to thank them. It’s up to them then it’s up to them whether there’s enough money to launch another album. I’m really grateful for the support we have…it’s really…lekker.

Caroline: I think that’s all I really wanted to ask (star struck journo is almost passing out with joy of speaking to one of her childhood heroes). Thank you so much for your time.

Paul: oh ok Great. Thank you, Caroline.

Caroline: ok, take care then bye.

Paul: cheers,

(Giggling like a teenager because he said my name)